When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion. Your browser isn’t supported anymore. https://musiclofirain50368.tribunablog.com/a-arma-secreta-para-lo-fi-chill-beats-45623352